Created by Carlo Collodi in The Adventures of Pinocchio, the myth of Pinocchio is linked to the fairy tale tradition and is the most recent manifestation of the animate/inanimate archetype. The myth of Pinocchio is the story of a puppet that desires to become human and achieves it with the power of his will. The Adventures of Pinocchio explore how experiences gained in heterotopic space give the individual the ability to change panoramic vision, and how these experiences can ultimately show us how we can recover or restore our existence as individual subjects. Pinocchio is the name of life that is simultaneously inorganic, human and animal. Pinocchio's identity is often played to the limit, imagined by himself and everyone he meets along the way. Collodi successfully uses metaphorical interactions, bipolarities, and ambiguous miracles. The myth of Pinocchio is used to condemn the culture of violence and consumerism. The book focuses on the psychological investigation of his central character Pinocchio, while trying to discover a humanity lost in the vacuum of technology and science. The book responds to a prerogative that belongs only to masterpieces: that of being out of time.
One of the most widely read books in the world, considered a metaphor for the human condition, and suitable for a variety of interpretations, The Adventures of Pinocchio has had a major impact on world culture.
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